Header Ads Widget

The Emmys Ignored This Underrated HBO Max Show — and It’s Already Canceled

Recent News
3 Overlooked Movies You Should Stream in September 2025: ‘Walter Mitty’ and More
Colman Domingo Clarifies His Reaction After Losing Emmy to Jeff Hiller: ‘Reacting Lovingly’
Inside the 2025 Emmy Awards: Sweet PDA, Who Chatted to Who and Everything Else You Didn’t See on TV
Prince Harry Says Dad King Charles Will Be His ‘Focus’ This Year After U.K. Reunion
Country Singer Drake White and Wife Alex Lose Baby Girl at 29 Weeks: ‘Heartbroken’

Each year, the announcement of Emmy nominations brings a familiar wave of frustration across the internet, especially when beloved shows are overlooked. This pattern continues year after year.

Remarkably, The Righteous Gemstones has yet to receive any nominations in the comedy categories throughout its entire run.

With the series ending this year, the Emmys had one final opportunity to recognize it. Unfortunately, they did not seize that chance.

Fortunately, all seasons of The Righteous Gemstones can be streamed on HBO Max. Watch With Us highlights why this Emmy oversight deserves your attention.

‘The Righteous Gemstones’ Merges Humor with Exceptional Character Development and Narration

The characters in The Righteous Gemstones are more than mere vehicles for jokes; they possess depth and have been thoroughly crafted over four seasons. Their status as deeply flawed antiheroes adds layers to their attractiveness and intricacy.

Judy (Edi Patterson), Kelvin (Adam Devine), and Jesse Gemstone (Danny McBride) are three pampered adult siblings destined to inherit the sprawling Gemstone televangelist empire, all while living in the shadow of their father, Eli (John Goodman). The series explores the family’s internal struggles and dynamics as they navigate their relationships while defending themselves against external threats aiming to bring them down.

Brought to life by creator McBride, The Righteous Gemstones features humor and storytelling akin to McBride’s earlier works: Vice Principals and Eastbound & Down, both of which combine warmth and humor brilliantly.

It Showcases at Least Two Performances Worthy of Awards

Patterson first joined McBride on Vice Principals, portraying the erratic teacher Miss Abbott. While she was undeniably entertaining in that role, Gemstones provided her the opportunity to shine as a formidable comedic talent. As the audacious and sharp-tongued Judy, Patterson delivered one of the standout comedic performances in recent memory, infusing the character with emotional depth that few others could match.

Likewise, Adam Devine shines as Kelvin Gemstone, marking his finest role since his breakout in Workaholics. Following the conclusion of Workaholics, it appeared that directors struggled to find the right way to showcase Devine. He was often cast as typical “cool” characters, when in reality, he thrives playing arrogant, immature figures. In the role of Kelvin, Devine finally tapped into his true potential. He adeptly portrayed the youngest Gemstone sibling, who has much to prove while also embarking on a poignant journey of self-discovery concerning his sexuality. Devine skillfully balanced this complex character development.

It Cleverly Critiques the Televangelist Landscape

In the realm of The Righteous Gemstones, the titular family operates the most influential televangelist megachurch in the United States. Despite their façade of devoutness, they are incredibly corrupt and self-serving – they fail to embody the principles they espouse.

Given that McBride’s performances have steadily concentrated on American men with an inflated sense of self-worth, he believed that spotlighting the heads of a megachurch would represent the pinnacle of this creative fascination. Although televangelists and megachurches present themselves as being devoted to a greater cause, they frequently act as if they hold the utmost authority, utilizing the funds gathered from ostentatious sermons to support extravagant and luxurious ways of living. Gemstones keenly mocks this insincere monetization of faith and the ramifications of hypocrisy while crafting characters that are truly engaging to observe.

Post a Comment

0 Comments